|
Annette Michelson (born 1922) is an American art critic and writer. ==Background and career== Born in 1922, Michelson graduated from Brooklyn College in 1948. Between 1956 and 1966, she was art editor and critic for the Paris edition of the ''New York Herald Tribune'' while also writing for ''Arts Magazine'' and ''Art International''. She worked as a writer for Artforum, where she edited the influential issues on 'Eisenstein/Brakhage' in 1971 and the 'Special Film Issue' in 1973. Together with Jay Leyda, she established the film studies department at New York University.〔 Leaving Artforum in 1976, she founded the journal ''October'' together with Rosalind Krauss. In addition to her numerous translations, essays and articles, Michelson edited ''Kino-Eye: the Writings of Dziga Vertov'' (1984), and ''Cinema, Censorship, and the State: The Writings of Nagisa Oshima'' (1992). On August 10, 2015, the Getty Research Institute announced that Michelson had donated her complete papers and archives to the Institute.〔 The GRI also acquired the drawing ''Blind Time'' (1982) and a suite of lithographs, ''Earth Projects'' (1969), both by Robert Morris, from Michelson’s collection, as well as Michelson’s film library of over 1500 selections.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Annette Michelson」の詳細全文を読む スポンサード リンク
|